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The designs often (as at right) contained a generous background of plain gold, as in contemporary Byzantine mosaics.
The area to be enamelled was stamped to create the main depression, pricked to help the enamel adhere, and the cloisons added.
Subsequently, enamel was just one of the fillings used for the small, thick-walled cloisons of the Late Antique and Migration Period style described above.
From about the 8th century, Byzantine art began again to use much thinner wire more freely to allow much more complex designs to be used, with larger and less geometric compartments, which was only possible using enamel.
SSI field trials resulted in about 20 % higher yields.
The state governments are showing interest in covering larger areas under SSI.
Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln.
In antiquity, the cloisonné technique was mostly used for jewellery and small fittings for clothes, weapons or similar small objects decorated with geometric or schematic designs, with thick cloison walls.
These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors.Viking Model Numbers generally begin with a V (for Professional Series Products) or D (for Designer Series Products).